‘NOMMER 37:’ VARIETY REVIEW

It’s very tempting to describe — but totally unfair to dismiss — Nosipho Dumisa’s “Number 37” as a well-researched master’s thesis by a student of Alfred Hitchcock. Dumisa, an award-winning South African writer-director making her feature filmmaking debut, has brazenly borrowed from “Rear Window” for her scenario about an incapacitated petty criminal who views a murder […]